Showing posts with label Aaron Katz. Show all posts
Showing posts with label Aaron Katz. Show all posts

Thursday, July 15, 2010

New Films from Bruce LaBruce, Isild Le Besco and Christophe Honoré at Locarno Film Festival

The official line-up for the 63rd annual Locarno Film Festival was announced yesterday, including new films from Bruce LaBruce, Christophe Honoré, Isild Le Besco, Aaron Katz and Denis Côté screening in competition. Katz's Cold Weather, which IFC picked up for US distribution after its premiere at SXSW, is the lone American film competing for the Golden Leopard this year. French porn star François Sagat looks to be the unexpected star of competition line-up, appearing as the lead in both LaBruce's LA Zombie and Honoré's Homme au bain [Man in Bath], the latter co-starring Honoré's muse as of late, Chiara Mastroianni. LA Zombie, a porn-ier counterpart to LaBruce's earlier Otto; or Up with Dead People, screened in Berlin earlier this year and stars a handful of gay porn stars, as well as Tony Ward (who memorably played the object of desire in LaBruce's Hustler White in 1996), pin-up boy Trevor Wayne, rapper Deadlee and Project Runaway finalist Santino Rice (hello, St Louis). In addition to presenting Bas-fonds, her latest project as a director, actress Isild Le Besco can be seen in front of the camera in Benoît Jacquot's Au fond des bois [Deep in the Woods], which marks the sixth collaboration with Jacquot. Au fond des bois also stars Nahuel Pérez Biscayart of Alexis Dos Santos' Glue and will be the opening film in the Piazza Grande section.

Other films in the International Competition: Pia Marais' Im Alter von Ellen [At Ellen's Age], with Jeanne Balibar in the title role; Morgen, the feature debut of Marian Crişan, whose short Megatron won the Palme d'Or in the courts-métrages section at Cannes in 2008; Pietro, the latest from Italian director Daniele Gaglianone (I cento passi); and Curling, from Canadian director Denis Côté who won the Directing Prize at Locarno in 2008 for Elle veut le chaos [All That She Wants]. Elle veut le chaos is available to stream (in certain territories) on MUBI.

Also in the Piazza Grande section: the Duplass' brothers Cyrus, currently in theatres across the US right now; the second directorial outing from respected editor Valdís Óskarsdóttir (The Celebration, julien donkey-boy, Eternal Sunshine of the Spotless Mind), entitled Kóngavegur [King's Road] which stars Daniel Brühl and Ingvar Eggert Sigurðsson; L'avocat [The Counsel], from director Cédric Anger–who co-wrote Xavier Beauvois' Le petit lieutenant and Selon Matthieu and Werner Schroeter's Deux–starring Benoît Magimel, Gilbert Melki, Aïssa Maïga, Eric Caravaca and Barbet Schroeder; Quentin Dupieux's killer-tire film Rubber, which premiered during the Semaine de la Critique at Cannes this year; also from Cannes, Aktan Arym Kubat's The Light Thief, which played in the Quinzaine des Réalisatuers; and restored prints of Ernst Lubitsch's To Be or Not to Be and Francesco Rosi's Uomini contro [Many Wars Ago].

In the Cinema of the Present portion: Memory Lane, the "feature" debut of Mikhaël Hers, whose previous three films (Montparnasse, Primrose Hill and Charell) premiered at the Cannes Film Festival over the past few eyars and all clock-in around an hour-long; Ivory Tower, from first-time director Adam Traynor which marks the acting debut of musician Peaches; and Norberto apenas tarde [Norberto's Deadline], the directorial debut of actor Daniel Hendler, best known as Argentinean filmmaker Daniel Burman's cinematic persona.

And Out of Competition, a number of shorts from notable directors will be playing:

- Get Out of the Car - Thom Anderson (Los Angeles Plays Itself)
- Hell Roaring Creek - Lucien Castaing-Taylor (Sweetgrass)
- Low Cost (Claude Jutra) - Lionel Baier (Garçon stupide)
- Avant les mots - Joachim Lafosse (Nue propriété)
- Return to the Dogs - Lodge Kerrigan (Clean, Shaven)
- Where the Boys Are - Betrand Bonello (Tiresia)
- Pig Iron - James Benning (RR)
- Les lignes ennemies - Denis Côté
- Rosalinda - Matías Piñeiro (Todos mienten)
- Chef d'oeuvre? - Luc Moullet (A Girl Is a Gun)
- Toujours moins - Luc Moullet
- O somma luce - Jean-Marie Straub
- Corneille-Brecht - Jean-Marie Straub
- Joachim Gatti - Jean-Marie Straub
- Europa, 27 Octobre - Jean-Marie Straub, Danièle Huillet

I don't know exactly how Kerrigan's Return to the Dogs relates to his experimental Grace Slick feature Rebecca H. (Return to the Dogs) which played in the Un Certain Regard section at Cannes in May. And finally, there will be a special retrospective of director Ernst Lubitsch at the festival this year, as well as a new, restored print of Rainer Werner Fassbinder's little-seen Ich will doch nur, daß ihr mich liebt [I Only Want You to Love Me], which was made for German television. The 63rd Festival del film Locarno runs from 4-14 August. The full list of films in competition is below:

- Bas-fonds, d. Isild Le Besco, France
- Beli, beli svet [White White World], d. Oleg Novković, Serbia/Sweden/Germany
- Beyond the Steppes, d. Vanja d'Alcantara, Belgium/Poland
- Cold Weather, d. Aaron Katz, USA
- Curling, d. Denis Côté, Canada
- Homme au bain [Man at Bath], d. Christophe Honoré, France
- Im Alter von Ellen [At Ellen's Age], d. Pia Marais, Germany
- Karamay, d. Xu Xin, China
- LA Zombie, d. Bruce LaBruce, Germany/Canada/USA
- Luz nas Trevas, a Volta do Bandido da Luz Vermelha, d. Helena Ignez, Ícaro Martins, Brazil
- Morgen, d. Marian Crişan, Romania/France/Hungary
- Periferic, d. Bogdan George Apetri, Romania/Austria
- La petite chambre, d. Stéphanie Chuat, Véronique Reymond
- Pietro, d. Daniele Gaglianone, Italy
- Saç, d. Tayfun Pirselimoğlu, Turkey/Greece
- Songs of Love and Hate, d. Katalin Gödrös, Switzerland
- Winter Vacation, d. Li Hongqi, China
- Womb, d. Benedek Fliegauf, Germany/Hungary/France

Wednesday, February 10, 2010

Attention-Directing for Berlin and SXSW 2010

The 2010 Berlin International Film Festival begins tomorrow, and unfortunately I'm not going. I did, however, look through the complete line-up to find some of the more exciting films playing this year. One can only hope Noah Baumbach’s follow-up to Margot at the Wedding, Greenberg starring Ben Stiller, Greta Gerwig, Rhys Ifans and Baumbach's wife Jennifer Jason Leigh, is better than Margot, but we'll see...

Jud Süß - Film ohne Gewissen, a biopic of the actor Ferdinand Marian, is the latest from German director Oskar Roehler (Agnes and His Brothers), starring Moritz Bleibtreu and Martina Gedeck. Belgian directors Benoît Delépine and Gustave de Kervern (Aaltra, Louise-Michel) return with their dryly humorous blend of comedy with Mammuth, which stars Gérard Depardieu (with long, golden hair), Isabelle Adjani, Yolande Moreau and Anna Mouglalis.

Four years after she won the Golden Bear for the film Grbavica, Bosnian director Jasmila Žbanić comes to the Berlinale with On the Path [Na putu] about a couple in an unhappy relationship. Yoji Yamada’s (The Twilight Samurai) About Her Brother concerns a family who take over the family pharmaceutical business after the patriarch dies.

Writer/director Nicole Holofcener (Walking & Talking, Friends with Money) once again teams up with actress Catherine Keener for Please Give, a comedy about a husband and wife who own a furniture store. Rebecca Hall, Amanda Peet and Oliver Platt also star. Please Give premiered at Sundance. A director I often confuse with Holofcener, Lisa Cholodenko (High Art, Laurel Canyon), will also be in Berlin with her latest, The Kids Are All Right, with Julianne Moore, Annette Bening and Mark Ruffalo.

Always the envelope-pusher (though seldom with good results), Michael Winterbottom adapts a novel by Jim Thompson (The Grifters, This World, Then the Fireworks) into the graphically violent The Killer Inside Me, starring Casey Affleck and (groan) Kate Hudson and (double groan) Jessica Alba. IFC picked up the US rights to this after it premiered at Sundance. Kristen Stewart plays a teenage stripper/runaway in music video director Jake Scott’s (Plunkett & Macleane) Welcome to the Rileys. Also starring James Gandolfni and Melissa Leo.

Hong Kong filmmaker Scud offers the second part of his unnamed trilogy, Amphetamine, which began with Permanent Residence last year. If you’re curious, take a look at the bizarre lengths some Wikipedia user has gone to in describing the nudity in Permanent Residence. Sample: “As the Chinese actors' full-frontal nudity and unobscured private parts are shown many times, both Sean Li's and Osman Hung's glans penises (penis heads) are visible in every full-frontal nude scene (whether in a room, on a beach, water-platform, shower, etc), revealing that they have both been fully circumcised.”

Both Sébastien Lifshitz and Anahí Berneri are previous Teddy winners (for Wild Side and Un año sin amor respectively), and they both will be presenting their latest films, Plein sud [Going South] and Por tu culpa [It’s Your Fault], in the Panorama section. German queer filmmaker Rosa von Praunheim, Teddy winner in 1990 for Die Aids-Trilogie, will bring the sequel to his Überleben in New York, New York Memories, to Berlin this year.

Canadian director John Greyson has won 3 Teddys, for his feature Pissoir, his short The Making of Monsters and his documentary Fig Trees; his short Covered, an experimental film paying tribute to the organizers of the ill-fated Queer Sarajevo Festival in 2008, will play at Berlin this year. Olivier Ducastel and Jacques Martineau, who won a Teddy Jury Prize for The Adventures of Félix [Drôle de Félix] in 2000, will premiere their latest, Family Tree [L’arbre et la fôret], to Berlin after winning the Prix Jean Vigo. Family Tree stars Guy Marchand, Françoise Fabian, Yannick Renier and Sabrina Seyvecou.

2010 is already a busy year for James Franco. After a hilarious guest role on 30 Rock last month, he is playing Allen Ginsberg in Howl from directors Rob Epstein and Jeffrey Friedman (Paragraph 175), which also stars Jon Hamm (another former 30 Rock guest star), Mary-Louise Parker, Jeff Daniels, David Strathairn, Treat Wiliams, Bob Balaban and Alessandro Nivola. Howl premiered at Sundance and will screen in the Competition section, while two shorts directed by Franco, Herbert White and The Feast of Stephen (the former starring Michael Shannon), will play in the Panorama section.

More 30 Rock connections (it’s all I’ve cared to think about lately): Cheyenne Jackson is featured in Crayton Robey’s documentary Making the Boys, about the legacy of the play The Boys in the Band which was made into a film by William Friedkin. Making the Boys premiered at Outfest last year. Filmmaker Cheryl Dunye (The Watermelon Woman) directs a thriller entitled The Owls in which she and actress Guinevere Turner play aging lesbians.

The latest from Finnish director Aleksi Salmenperä (Producing Adults), Bad Family [Paha perhe], sounds wonderfully naughty. A brother and sister meet again as teenagers after their parents separate and fall in love. Following the German, New York and Tel Aviv editions of the series, Fucking Different: São Paulo is an omnibus of queer shorts from a group of young Brazilian filmmakers.

Postcard to Daddy is a highly personal documentary by Michael Stock, director/star of Prince in Hell, addressing his own molestation by his father as a child. Sadly underrated director Ira Sachs (Married Life, The Delta) will present his short, Last Address, this year, which is dedicated to the many, many NYC artists we’ve lost to the AIDS virus.

German filmmaker Angela Schanelec (Marseilles, Nachmittag) will debut her latest, Orly, in the Forum section. Bruno Todeschini and Natacha Régnier co-star in the German/French production. Constantin Popescu, one of the directors of Tales from the Golden Age, will make his feature debut with Portait of the Fighter As a Young Man [Portretul luptătorului la tinereţe], which follows a Romanian group of anti-Communists hiding in the Carpathian Mountains.

Hanna Schygulla will receive an Honorary Golden Bear for her contributions to both German and international cinema. Schygulla will also present four films she directed: Ein Traumprotokoll, Hanna Hannah, Moi et mon double and Alicia Bustamente. In addition to the films she directed, four of her most memorable performances will also play: Fatih Akin’s The Edge of Heaven [Auf der anderen Seite], Marco Ferreri’s The Story of Piera [Storia di Piera] for which she won the Best Actress prize at Cannes and two collaborations with Rainer Werner Fassbinder, Lili Marleen and Rio das Mortes.

Other new films: Submarino, d. Thomas Vinterberg (The Celebration); Shekarchi [The Hunter], d. Rafi Pitts (It’s Winter); Loose Cannons [Mine vaganti], d. Ferzan Ozpetek (Steam: The Turkish Bath, Saturn in Opposition), w. Riccardo Scamarcio.

The South by Southwest [SXSW] Film Festival also announced its line-up. The film portion of the festival begins on 12 March and runs until the 20th, while the music portion, arguably the raison d’être of the fest, begins on the 17th and goes to the 21st.

The Duplass brothers’ Cyrus, starring John C. Reilly, Catherine Keener, Marisa Tomei (with an awful haircut) and Jonah Hill, is among the Headliners, as well as the U.S. premieres of two Sony Pictures Classics titles, Jean-Pierre Jeunet’s Micmacs [Micmacs à tire-larigot] and Aaron Schneider’s Get Low. Mr. Nice, a biopic of criminal Howard Marks, directed by Bernard Rose (The Kreutzer Sonata, the Anna Karenina adaptation with Sophie Marceau), is also a part of the Headliners and stars Rhys Ifans, Chloë Sevigny, David Thewlis, Luis Tosar, Christian McKay and (!) Ken Russell.

Sevigny also stars in Barry Munday, co-starring Patrick Wilson, Mae Whitman (Anne Veal from Arrested Development), Judy Greer (Kitty Sanchez from Arrested Development), Malcolm McDowell, Cybill Shepherd, Jean Smart, Billy Dee Williams and Colin Hanks. James Franco will redirect his party to Austin, Texas to premiere his documentary Saturday Night which looks at all the behind-the-scenes action of Saturday Night Live. Carla Gugino plays a retired porn actress in her boyfriend Sebastian Gutierrez’s Elektra Luxx; also with Joseph Gordon-Levitt, Timothy Olyphant, Malin Akerman, Alicia Silverstone (!), Justin Kirk and Marley Shelton.

Easily the most exciting thing playing at this year’s SXSW Film Festival is the new film from Aaron Katz (Dance Party USA, Quiet City), entitled Cold Weather. Cold Weather again stars Cris Lankenau of Quiet City and sounds vaguely thriller-ish. It’ll be the one I’m keeping my eye on. The other title that has me enticed is Kerthy Fix and Gail O’Hara’s documentary on Stephin Merritt called Strange Powers: Stephin Merritt and The Magnetic Fields. The doc is ten years in the making (starting around the time of 69 Love Songs, I’d imagine). The Magnetic Fields’ new album, Realism, is also pretty outstanding if you haven’t picked it up yet.

Other films playing that premiered elsewhere: Harmony Korine’s Trash Humpers, Michel Gondry’s The Thorn in the Heart [L’épine dans le cœur], Bryan Poyser’s Lovers of Hate, Daniel Barber’s Harry Brown, Dagur Kári’s The Good Heart, Niels Arden Oplev’s The Girl with the Dragon Tattoo [Män som hatar kvinnor], Giorgos Lanthimos’ Dogtooth, Hélène Cattet and Bruno Forzani’s Amer, Gaspar Noé’s Enter the Void, Sean Byrne’s The Loved Ones, Bahman Ghobadi’s No One Knows About Persian Cats and Steven Soderbergh’s documentary about Spalding Gray, And Everything Is Going Fine.