New Long Celebrity Hair

Here are some Hot New Long Celebrity Hairstyle pictures for you.
New Long Celebrity Haircuts

A celebrity

A celebrity hairstyle can be great for your image if you know how to choose the right style. Taking a celebrity hairstyle and making it your own can also give you a fresh exclusive look. We all know that looking good means feeling good, so a fresh new trendy hairstyle will do wonders for your confidence.

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celebrity hairstyles.

celebrity hairstyles. There are so many variations of hairstyles from short to long, in a range of colors that can be found on celebrities and they have access to the ebst professionals in the business of hair design to ensure that they are on top of the latest styles, which can cause celebrity hairstyles to be one of the largest sources of information for everyone seeking a new hairstyle. Through the use of hairstyles which are created, the individual often takes advice from celebrity Updos, throughout the various red carpet events which can be found throughout the year.

Celebrity hairstyles

Celebrity hairstyles

Celebrity Hairstyles

How often do we stare at the pictures of celebrities and wish their looks be ours? We wish to copy their hairstyles in a bid to look more glamorous. Copying celebrity hairstyles is not a tough task in today’s world.…

Latest Trends in

Celebrity fringe

Heidi Klum is a German model, actress, TV presenter, fashion designer, television producer and occasional singer. She is also the hostess of Project Runway and Germany's Next Topmodel, and is known for her modeling work with Victoria's Secret.

Short celebrity

Short celebrity hairstyles are in vogue, firstly because these hairstyles are easy to manage and hardly take any time to get set and be on the go. Another reason why short hairstyles are much in vogue are because sheer number of hairstyles that are available for short hair.

Sheitel, circa 1880.

We hate quackery.

Caledonian Mercury Edinburgh, Scotland, Monday, February 11, 1828

R.I.P. Zelda Rubinstein, J.D. Salinger

Both with their oh-so-memorable voices... only one could you hear. I like to imagine them sharing a bottle of brandy in the sweet hereafter.

Hairstyles for Girls Over 30

Hairstyles for Girls Over 30

Why hello there! Aren’t you all accomplished and empowered and proud of yourself? You should be. Welcome to your 30’s: the age where you actually get to power through your life the way you set it up to be in the last decade.
Kate Beckinsale Hair

Teen years are for play, your 20’s are for discovery and groundwork, but by your 30’s you should already know who you are and what you’re capable of. Chances are you’re already doing it too. And your hair should match the path you’ve taken in life.
Charlize Theron Hair

Think about that for a minute. Your hair makes a statement. It tells people who you are. So decide what’s best for you. If you’re a mom, you probably want to wearing your hair up, out of the way and practically. Try a shoulder length style, so that you can keep it up while you’re out chasing your kids, but can still style it for nights out with the girls.
Lori Loughlin Hair

If you’re a career woman, you probably always want to keep it together, even when you’re casual. A pixie cut is great for this, because it’s edgy, inspires confidence, and works for every occasion.
Christina Ricci Hair

And for the girl comfortable in her own shoes, nothing says you love yourself like getting natural highlights. That’s something you can do just to add a little something to make yourself feel better subtlety. And while chocolate and a Johnny Depp movie does the same trick, the highlights will last much, much longer.
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Dayanim in brown suits and Kabbalah

In November of 2007 it was reported that at an Eternal Jewish Family trade show a rabbinic speaker made comments to the following effect:

Another "distinguished" speaker lamented that he saw a "supposed" dayan actually wearing some "brown" article of clothing and "smelled of cologne"; the EJF speaker commented something along the lines of, "can you imagine such a person serving as a dayan?"… (link)

It has been widely believed that the '"supposed" dayan' who fails to conform to the contemporary Chareidi dress code is none other than Rabbi Barry Freundel, who is in fact a dayan, and is also the head of the RCA's conversion committee.

Today I happened to have opened his book Contemporary Orthodox Judaism's response to modernity‎ at random and this is what I saw:

ParshaBlog has a post today called "Dybbuks, Gedolim, and adding to ikkarei emunah via makchich magideha." A couple of excerpts:

Judaism has several axioms, called ikkarei emunah. Rejecting these axioms puts one into the category of heretic. Yet there are few of them. There are many other beliefs in Judaism, and someone who rejects any of those might be grievously wrong, and an idiot, but not necessarily a heretic. This despite how these beliefs have always had, or have gained over time, common acceptance, including among great rabbis.

. . .

[. . .] in a theological debate, there is great temptation to turn one's frum position into an ikkar, an axiom. That way, you are automatically right; no one can question the foundations of the axiom, and you are not forced to grapple with its foundations yourself. Furthermore, your disputant need not be engaged. He is a heretic for daring to say this, and one should not engage with a heretic! And proof that he is an oisvorf whose words and proofs should not be considered is this position he is putting forth.

Thus, as an example, the belief in the integrity of the transmission of the Oral Torah is expanded to include the integrity of the Zohar, despite it being revealed / having been invented in the 13th century. If someone argues that this is not part of Oral Torah, and has proofs of late authorship, this should not be considered. After all, he is a heretic, according to Rambam! This even though Rambam did not agree with certain kabbalistic beliefs and considered them nonsense.

Interesting! I almost wonder, by the way, which would be considered the bigger outrage; a dayan who wears brown suits and cologne, or one who holds you can be a full and complete Jew while disbelieving all of Kabbalah?

A Gaon's seal.

A real Gaon. Maybe not Rav Sherira, maybe not Rav Hai, but this is the real thing.



This seal belonged to the Gaon Nechemia of Pumbedisa.

A blessing for Ibn Ezra.

Willard Fiske, The Chess Monthly 3, August 1859 (although the clip above was from a book printed in 1912, chosen for its superior typographical beauty).

Minhag jokes and their historical kernels.

Over at Hirhurim Rabbi Ari Enkin posts about the prevalent custom of changing the tune for Lecha Dodi at the stanza of Hisoreri. This post provoked the usual musings about minhagim and their significance.

I wonder if anyone's discussed the issue of anecdotes about customs which actually hint, by their details, to significant issues, but the significance is since forgotten, at least in the vulgar versions? I can think of two examples:

1. The tale of the rebbe who cut his fingernails after the mikva. His Chassidim thought it was imbued with significance and wanted to imitate him, until he pointed out to him that his nails are softer and easier to cut after the mikva. In the retellings of this story, the issue of fingernails as a resting spot for ruach ra is not noted. Whether or not such a story is true, surely the issue of whether to cut the nails before or after the purifying agent of the mikva is of some concern to mikva going rebbes.

2. Someone told me the following joke he heard from a leading rosh yeshiva of an earlier generation (its context was the issue of ecumenism in the early '60s): A priest, a minister and a rabbi decide that in the spirit of tolerance and the times, each ought to modify tenets of their religion to bring all men closer together. So the priest says "Well, we'd be willing to do away with Immaculate Conception." The minister says "We'd be willing to do away with the Trinity." The rabbi says "We'd be willing to get rid of the second yequm purkan." This joke almost turns its grain of historical basis on its head. If I understand the joke correctly, the rosh yeshiva meant to say that for Judaism even the least practice is as significant as the chief dogmas of the other religions; ecumenism is pointless. The issue of removing the second yequm purkan (or the whole thing) was a topic in 19th century Reform, and especially in Orthodox polemics about Reform.

Hairstyles for Fine Hair

Hairstyles for Fine Hair

Over the year there have been many styles that have come about using fine hair with great effects! Whether you like a punk style or more chic, you can achieve a great look!

Avril Lavigne is a classic case of fine hair with wonderful style! Avril has impressed us all with her lyrics and performances. She has grown right before our eyes as an artist and as a woman. And she has become a model of the woman rocker style with her different color shocks of hair and bold eye makeup. She never has looked better. And her hair while colored and styled well always impresses us because she is glamorous as well. The shiny, bouncy fine hair that Avril has could easily get dried out, but she must take care of it with moisturizing shampoo and conditioners for such a healthy outcome.

Sarah Harding is another hard-to-keep-up-with woman as far as style! Sarah is constantly changing and updating her style. Now she has gone very short with bangs that can do almost anything. Her bangs are cut and layered in a way that Sarah can basically take a few hair products and style her fine hair in a sexy side-swept look, she can frame her face, she can push it all back, or she can wear it up! It is totally versatile and just as easy to wash and wear! This haircut is a revolution for most women because it works with nearly any face shape and it can be changed daily without too much work!

Selling Torahs and stories

Something like five people have forwarded me an interestingarticle about a Torah scroll dealer from Baltimore who apparently cooks up a delicious story to sell with every old Torah that he sells to Conservative and Reform congregations.

Touting his expertise in dating parchment, Youlus says he has studied with curators "in Europe," but pressed to say with whom he has studied, he won't give names.

Personally I think paleographical expertise might be a little more useful, but maybe I'm wrong about that. CoughShapiraCough.

In a 3-hour interview, Youlus is unable to provide a single name, date, place, photograph or document to back up the Auschwitz stories or any of the others. He says that until Save a Torah was founded in 2004, he kept no records. He refers all requests for documentation since then to the foundation's president, investment banker Rick Zitelman of Rockville.

---

As for Youlus's Torah rescue stories, Berenbaum came to his own conclusion. "A psychiatrist might say they are delusional. A historian might say they are counter-factual. A pious Jew might call them midrash -- the stories we tell to underscore the deepest truths we live," he says. Midrash, in this context, refers to the ancient tradition of rabbis telling anecdotes and fables to convey a moral lesson. "Myth underscores the deepest truth we live," Berenbaum says.

The irony is that pious Jews do not usually call myth 'midrash.'

The Talmud-Memorizer-Performer, Rabbi Hirsch Denmark.

In June I posted a little clipping from the October 7, 1842 issue of the Voice of Jacob newspaper, in a post I called So you know the Talmud by heart and via pin-prick, but do you also know the 5th volume of Kerem Hemed and the Czar's officer list? . It concerned a man named Hirsch Denmark (spelled here this way to conform with modern American orthography; but it is also spelled Dannemark and Daennemark, not to mention Dænnemark) who seemed to have an extraordinary memory. Not only was he able to seemingly memorize the Talmud and its page layout, and perform a "pin demonstration" (that is, someone would prick a pin through or place a finger on the pages of a volume and he could pinpoint which words the point pierced on the various pages) but he could do this with numerous other works, including משמרות כהונה, the 5th volume (1841) of the Haskalah periodical כרם חמד, and even Hebrew works with Latin translations. He also read a list of officers in the Russian army (200 names, see below) and was able to repeat it from memory. Impressive!

This was the clipping:



I came across another clipping in the same periodical and realized that this Hirsch Daenmark was still at if a few years later (August 7, 1846):



so I decided to dig a little deeper. A much fuller account was printed September 9, 1846 in the Manchester Guardian. As you can see, the exhibition seems to have been billed as a supernatural demonstrator. The reporter found that it did seem to exhibit his extraordinary memory, but no supernatural powers:





The January 7, 1875 issue of The Academy referred back to Rabbi Hirsch Denmark in an review of a book about memory:




This article notes that Prosper Lucas wrote about Hirsch Denmark, and indeed he did. Several pages of his 1847 book Traité philosophique et physiologique de l'hérédité naturelle are about Hirsch Denmark (413-419):



To summarize Lucas's account as best as Google Translator was able to provide: Hirsch Denmark is a great example [of Lucas's thesis about heredity), because of the public nature of his cases, and the empirical reality of his phenomenon. He arrived in Metz in August of 1842 bearing letters from the Pope, Prince Metternich and famous professors in Germany. He is a Polish Jew, average looking, and aged 34, and he appears very nervous. He said that he first became aware of his strange power at age 12. He considers it a gift from God, sort of a combination of the natural and the supernatural. On the one hand, he acknowledged having a phenomenal memory. On the other, he claimed to be able to do it with works which were unfamiliar to him. He refers to himself as "Der Wundermann."

He gave three demonstrations in Metz. The first one was on August 2, and was attended by the Chief Rabbi and some Hebrew scholars, the second at the Seminary where the teachers all knew German and Hebrew, and the third in a private home, attended by several notables. Next follows a description of the Talmud, and notes that it consists of 36 volumes (bibliophiles are welcome to recognize the particular edition). The following were how the demonstrations were conducted:

1. He has people look at the book and affirm that there was nothing suspicious about the book that could indicate that there was a trick.

2. Hirsch asked someone to to place a finger or pin inside a closed book, which is then turned on its side. He then said which word the finger was covering, or if it was covering white space.

3. He asked several people give a page number and designate a few lines from the top or bottom of the page, either text and commentary. In one case he was asked to read a certain line on page 38, and it wasn't what he had said. Then he told them that there was a misprint in the page number, and it should be on the following page, and indeed it was.

4. He'd have someone put his ear on a page, and he could tell which words were covered by the ear. Then he could do the same with several pages closed together.

5. More of the same.

6. "

7. They opened a book at random, and stuck a pin in. He was asked to tell which words were at that place in pp 58-71 of the volume. He would also indicate where it crossed no word. Sometimes he would recite the word, and then also add what the commentaries on the page said about the word.

When he quoted a verse (ie, if the place landed on a biblical verse) he'd repeat the entire verse.

8. A Hebrew translation of the New Testament was brought to him. After reading it he was able to perform the finger experiment as well.

9. Gerson Levy (1784-1864) produced a Hebrew manuscript written in the Hebrew cursive used by Polish Jew, but it also contained square Hebrew used in printing. If someone's finger was on the cursive, he indicated that they should put it elsewhere, where the other kind of script was and he was able to perform. He also was able to do it on other books provided by Levy that he was unfamiliar with.

One thing to note is that before performing, he would always touch the volume and some of its pages. Asked if it would suffice if he could touch a person in contact with the book, he said that he didn't know, never having tried it.

When a book was placed on top of the Bible, he hesitated for some time, and then began to read the designated line. He was then asked to do it without touching the Bible, but refused. Finally he agreed to do it touching the hand of someone touching the Bible with his handkerchief.

At this point the author footnotes that in his opinion his insistance on touching the Bible was because of his belief in the supernatural aspect to his ability. He was able to do this, although sometimes he made small errors, such as coming to the line above or below the one he meant,

Lucas says he will omit the accounts of how he triumphed before the Pope in Rome, although he does mention that Hirsch was given a Hebrew manuscript in gold letters from the Vatican library, and succeeded.

Any noise in the room caused Hirsch Denmark to act like he was in pain. He insisited on only performing indoors, and required total silence.

Lucas concludes the account by noting that Denmark told him that he has a ten year old son in St. Petersburg with similar, or even more remarkable abilities, and this was demonstrated before the Czar of Russia.

At least, that is a sense of what it was about.

I looked a little deeper and saw that there was an account of him as early as 1839. The following was printed in The Family Magazine (published in Cincinnati, but this does not mean that Denmark had visited America. The demonstration was at a popular venue in London):






This is all that I've been able to learn thus far. I will add a new post if I learn more.

Finally, below is a famous article "Mnemonic Feat of the Shass Pollak" by George Stratton in the third issue of the 1917 Psychological Review (24):

César Nominees 2010; SAG Winners 2010

The César nominations were announced this past week, with Jacques Audiard's Un prophète [A Prophet] leading the pack with 13 nominations. Un prophète won the Grand Prix at last year's Cannes Film Festival and is France's official Academy Award submission; lead actor Tahar Rahim also took home the Best Actor prize at the European Film Awards this past December. Audiard has won in the Directing category for The Beat That My Heart Skipped [De battre mon coeur s'est arrêté] (which also won the Best Film that year), in addition to winning in the screenwriting category for Beat and Read My Lips [Sur mes lèvres] and the Best First Film Award for See How They Fall [Regarde les hommes tomber]. Following closely behind Un prophète with 11 nods was Xavier Giannoli's À l'origine [In the Beginning], which also premiered at Cannes last May. Three American films (yes, one of them was directed by Clint Eastwood), last year's big Oscar winner, two francophone films that also premiered at Cannes and last year's Palme d'Or winner will be competing in the foreign category.

Meilleur film français [Best French Film]

À l'origine [In the Beginning], d. Xavier Giannoli
Le concert, d. Radu Mihaileanu
Les herbes folles [Wild Grass], d. Alain Resnais
La journée de la jupe [Skirt Day], d. Jean-Paul Lilienfeld
Rapt, d. Lucas Belvaux
Un prophète [A Prophet], d. Jacques Audiard
Welcome, d. Philippe Liorand

Meilleur réalisateur [Best Director]

Jacques Audiard, Un prophète
Lucas Belvaux, Rapt
Xavier Giannoli, À l'origine
Philippe Lioret, Welcome
Radu Mihaileanu, Le concert

Meilleur premier film [Best First Film]

Les beaux gosses [The French Kissers], d. Riad Sattouf
Le dernier pour la route [One for the Road], d. Philippe Godeau
Espion(s) [Spy(ies)], d. Nicolas Saada
La première étoile, d. Lucien Jean-Baptiste
Qu'un seul tienne et les autres suivront [Silent Voices], d. Léa Fehner

Meilleur film étranger [Best Foreign Film]

Avatar, d. James Cameron, USA
Gran Torino, d. Clint Eastwood, USA
J'ai tué ma mère [I Killed My Mother], d. Xavier Dolan, Canada
Milk, d. Gus Van Sant, USA
Panique au village [A Town Called Panic], d. Stéphane Aubier, Vincent Patar, Belgium/Luxembourg
Das weiße Band [The White Ribbon], d. Michael Haneke, Austria/Germany

Meilleur film documentaire [Best Documentary]

La danse, le ballet de l'Opéra de Paris, d. Frederick Wiseman
L'enfer d'Henri-Georges Clouzot [Henri-George Clouzot's Inferno], d. Serge Bromberg, Ruxandra Medrea
Himalaya, le chemin du ciel, d. Marianne Chaud
Home, d. Yann-Arthus Bertrand
Ne me libérez pas, je m'en charge [My Greatest Escape], d. Fabienne Godet

Meilleur acteur [Best Actor]

Yvan Attal, Rapt
François Cluzet, À l'origine
François Cluzet, Le dernier pour la route
Vincent Lindon, Welcome
Tahar Rahim, Un prophète

Meilleure actrice [Best Actress]

Isabelle Adjani, La journée de la jupe
Dominique Blanc, L'autre [The Other One]
Sandrine Kiberlain, Mademoiselle Chambon
Kristin Scott Thomas, Partir [Leaving]
Audrey Tautou, Coco avant Chanel [Coco Before Chanel]

Meilleur acteur dans un second rôle [Supporting Actor]

Jean-Hughes Anglade, Persécution
Niels Arestrup, Un prophète
JoeyStarr, Le bal des actrices [All About Actresses]
Benoît Poelvoorde, Coco avant Chanel
Michel Vuillermoz, Le dernier pour la route

Meilleure actrice dans un second rôle [Supporting Actress]

Aure Atika, Mademoiselle Chambon
Anne Consigny, Rapt
Audrey Dana, Welcome
Emmanuelle Devos, À l'origine
Noémie Lvovsky, Les beaux gosses

Meilleur espoir masculin [Best Male Newcomer]

Firat Ayverdi, Welcome
Adel Bencherif, Un prophète
Vincent Lacoste, Les beaux gosses
Tahar Rahim, Un prophète
Vincent Rottiers, Je suis heureux que ma mère soit vivante [I'm Glad That My Mother Is Alive]

Meilleur espoir féminin [Best Female Newcomer]

Pauline Etienne, Qu'un seul tienne et les autres suivront
Florence Loiret-Caille, Je l'aimais [Someone I Loved]
Soko, À l'origine
Christa Théret, LOL (Laughing Out Loud)
Mélanie Thierry, Le dernier pour la route

Meilleur scénario original [Original Screenplay]

À l'origine - Xavier Giannoli
Le concert - Radu Mihaileanu, Alain-Michel Blanc
La journée de la jupe - Jean-Paul Lilienfeld
Un prophète - Jacques Audiard, Thomas Bidegain, Abdel Raouf Dafri, Nicolas Peufaillit
Welcome - Philippe Lioret, Emmanuel Courcol, Olivier Adam

Meilleur scénario adaptation [Adapted Screenplay]

Coco avant Chanel - Anne Fontaine, Camille Fontaine
Le dernier pour la route - Philippe Godeau, Agnès de Sacy
Les herbes folles - Alex Réval, Laurent Herbiet
Mademoiselle Chambon - Stéphane Brizé, Florence Vignon
Le petit Nicolas [Little Nicholas] - Laurent Tirard, Grégoire Vigneron

You can find the full list of nominees via this link. Yesterday apparently was the day the Screen Actors Guild dished out their awards, and the results ranged from expected to irritating (I don't know that I've ever hated a movie I've not seen as much as The Blind Side). Winners below.

Outstanding Performance by a Male Actor in a Leading Role: Jeff Bridges, Crazy Heart
Outstanding Performance by a Female Actor in a Leading Role: Sandra Bullock, The Blind Side
Outstanding Performance by a Male Actor in a Supporting Role: Christoph Waltz, Inglourious Basterds
Outstanding Performance by a Female Actor in a Supporting Role: Mo'Nique, Precious: Based on the Novel Push by Sapphire
Outstanding Performance by a Cast in a Motion Picture: Inglourious Basterds, awarded to Daniel Brühl, August Diehl, Julie Dreyfus, Michael Fassbender, Sylvester Groth, Jacky Ido, Diane Kruger, Mélanie Laurent, Denis Menochet, Mike Myers, Brad Pitt, Eli Roth, Til Schweiger, Rod Taylor, Christoph Waltz, Martin Wuttke

A Hebrew nomenclature by Judah Monis.

Here are prior posts on Monis (1683-1764): I, and II.

DVD Release Update, 24 January

More DVD updates. You'll find a number of new additions to the TCM Vault/Universal catalogue for 27 April. From Facets, the performance art piece Roy Cohn/Jack Smith (which stars Ron Vawter as Cohn and Smith, produced by Jonathan Demme), Raoul Ruiz's Dialogues of the Exiled and Harun Farocki's documentary How to Live in the German Federal Republic will all be available on 27 April as well. There's a slew of Roger Corman-produced B movies from Shout! Factory. And from Microcinema, a remastered re-release of Hal Hartley's Surviving Desire and the second set of short films from Hartley will hit shelves on 27 April (a busy week, no doubt). Surviving Desire will also include the shorts Theory of Achievement and Ambition, which were also featured on the now long out-of-print Wellspring disc. Via Microcinema's website, they are also planning new DVDs of Lynn Hershman-Leeson's Conceiving Ada and Teknolust, both starring Tilda Swinton, as well as a set of her early experimental works, which should be out by the end of the year.

On the Blu-ray front, Palm will be releasing The Basketball Diaries on 20 April. The Who's The Kids Are Alright will be released by Sanctuary Records on 2 March. Troma will be releasing Steve Balderson's teen slasher satire Pep Squad and Peter George's Surf Nazis Must Die on 25 May. And it looks as though Hannover House will be releasing a Blu-ray in addition to the DVD of Abel Ferrara's Chelsea on the Rocks on 4 May.

- Tell Them Anything You Want: A Portrait of Maurice Sendak, 2009, d. Lance Bangs, Spike Jonze, Oscilloscope Pictures, 2 March, w. Maurice Sendak, Jonze, Catherine Keener, Meryl Streep, James Gandolfini
- Up in the Air, 2009, d. Jason Reitman, also on Blu-ray, Paramount, 9 March
- William Kunstler: Disturbing the Universe, 2009, d. Emily Kunstler, Sarah Kunstler, Arthouse Films/New Video, 30 March
- Irene in Time, 2009, d. Henry Jaglom, Breaking Glass Pictures, 6 April, w. Karen Black
- Jade Warrior [Jadesoturi], 2006, d. Antti-Jussi Annila, Lionsgate, 6 April
- Party Down, Season 1, 2009, d. Fred Savage, Bryan Gordon, Anchor Bay, 6 April
- Tetro, 2009, d. Francis Ford Coppola, also on Blu-ray, Lionsgate, 6 April
- Humanoids from the Deep, 1980, d. Barbara Peters, Jimmy T. Murakami, Shout! Factory, 13 April
- Tenderness, 2009, d. John Polson, Lionsgate, 13 April, w. Russell Crowe, Jon Foster, Laura Dern
- Three Kingdoms, 2008, d. Daniel Lee, Lionsgate, 13 April, w. Andy Lau, Sammo Hung, Maggie Q
- Duska [Dushka], 2007, d. Jos Stelling, Cinema Vault/MVD, 20 April
- Return to Hansala [Retorno a Hansala], 2008, d. Chus Gutiérrez, Cinema Vault, 20 April
- Wind Man, 2007, d. Khuat Akhmetov, Cinema Vault, 20 April
- Beginning of the End, 1957, d. Bert I. Gordon, Hens Tooth Video, 22 April
- Because of Him, 1946, d. Richard Wallace, Universal/TCM Vault, 27 April, w. Charles Laughton
- Dialogues of the Exiled [Diálogos de exiliados], 1975, d. Raoul Ruiz, Cnemateca/Facets, 27 April
- For the Love of Mary, 1948, d. Frederick De Cordova, Universal/TCM Vault, 27 April
- How to Live in the German Federal Republic [Leben - BRD], 1990, d. Harun Farocki, Facets, 27 April
- Mad About Music, 1938, d. Norman Taurog, Universal/TCM Vault, 27 April
- Possible Films, Volume 2: New Short Films by Hal Hartley, d. Hal Hartley, Microcinema, 27 April
- Red Rowan [Jarzębina czerwona], 1970, d. Ewa Petelska, Czesław Petelski, Polart/Facets, 27 April
- Roy Cohn/Jack Smith, 1994, d. Jill Godmilow, Facets, 27 April
- Surviving Desire, 1991, d. Hal Hartley, Microcinema, 27 April, w. Martin Donovan
- Sympathy, 2007, d. Andrew Moorman, Breaking Glass Pictures, 27 April
- That Certain Age, 1938, d. Edward Ludwig, Universal/TCM Vault, 27 April
- Three Smart Girls Grow Up, 1939, d. Henry Koster, Universal/TCM Vault, 27 April
- The Unquiet Death of Julius and Ethel Rosenberg, 1974, d. Alan Moorman, Facets, 27 April
- The Muse, 1999, d. Albert Brooks, Universal, 4 May, w. Brooks, Sharon Stone, Andie Macdowell, Jeff Bridges, Cybil Shepherd
- Suburbia, 1984, d. Penelope Spheeris, Shout! Factory, 4 May
- Love Games [Sette ragazze di classe], 1979, d. Pedro Lazaga, MYA Communication, 25 May
- Phyllis and Harold, 2008, d. Cindy Kleine, Breaking Glass Pictures, 25 May
- Sandok [Sandok: La montagna di luce], 1965, d. Umberto Lenzi, MYA Communication, 25 May
- Somebody's Knocking at the Door, 2009, d. Chad Ferrin, Breaking Glass Pictures, 25 May, w. Noah Segan
- True Blood, Season 2, 2009, also on Blu-ray, HBO, 25 May
- The Red Baron [Der rote Baron], 2008, d. Nikolai Müllerschön, Monterey Video, 1 June, w. Til Schweiger, Joseph Fiennes, Lena Headey
- Forbidden World [aka Mutant], 1982, d. Allan Holzman, Shout! Factory, 20 July
- Galaxy of Terror, 1981, d. Bruce D. Clark, Shout! Factory, 20 July, w. Robert Englund, Sid Haig, Grace Zabriskie